Between Romanticism and Modernism It was unusual for Béla Bartók to spend almost two years writing his Second Violin Concerto.

Conductor: Jakub Hrůša | Violin: Augustin Hadelich

Dates & Cast

  • Conductor  Jakub Hrůša
02
Sat
March 2024
7 pm
Event is in the past
Starting Time: 7 pm
Venue
Semperoper Dresden
Free introductory talk
held in the Semper Opera House cellar 45 minutes before curtain-up
  • Conductor  Jakub Hrůša
  • Soloist (m)  Augustin Hadelich
03
Sun
March 2024
11 am
Event is in the past
Starting Time: 11 am
Venue
Semperoper Dresden
Free introductory talk
held in the Semper Opera House cellar 45 minutes before curtain-up
  • Conductor  Jakub Hrůša
  • Soloist (m)  Augustin Hadelich
04
Mon
March 2024
7 pm
Event is in the past
Starting Time: 7 pm
Venue
Semperoper Dresden
Free introductory talk
held in the Semper Opera House cellar 45 minutes before curtain-up
  • Conductor  Jakub Hrůša
  • Soloist (m)  Augustin Hadelich

In brief

Between Romanticism and Modernism

It was unusual for Béla Bartók to spend almost two years writing his Second Violin Concerto. This lengthy period of gestation can be attributed to the nature of the commission: When Zoltán Székely requested the work in the summer of 1936, Bartók intended to write a one-movement set of variations, while the violinist wanted a more conventional work in three movements. The compromise between the two ideas is the basis for one of the greatest solo concertos of the 20th century. Adhering to the Romantic tradition in its melodic lushness and virtuosity, the piece simultaneously breaks new ground due to its unique, contradictory musical language. 

Programme

Béla Bartók Violinkonzert Nr. 2 Sz 112
Antonín Dvořák Nocturne für Streichorchester H-Dur op. 40
Arthur Honegger Symphonie Nr. 3 »Symphonie liturgique«

More info: staatskapelle-dresden.de