Opera

Intermezzo

Richard Strauss

First performed in Dresden in 1924, Richard Strauss’s Intermezzo provides all manner of insights into his turbulent married life.

A comedy with symphonic interludes in two acts
Libretto by the composer

Performed in German with German and English supertitles

Premiere
1. November 2024

Dates & Cast

01
Fri
November 2024
7 pm
Premiere
18 – 117 €
99+ Tickets
Starting Time: 7 pm
Venue
Semperoper Dresden
Free introductory talk
held in the Semper Opera House cellar 45 minutes before curtain-up
Sub / Packages
04
Mon
November 2024
7 pm
12 – 106 €
99+ Tickets
Starting Time: 7 pm
Venue
Semperoper Dresden
Free introductory talk
held in the Semper Opera House cellar 45 minutes before curtain-up
Post-Show Discussion
Post-Show Discussion following the performance (free admission).
08
Fri
November 2024
7 pm
14 – 114 €
99+ Tickets
Starting Time: 7 pm
Venue
Semperoper Dresden
Free introductory talk
held in the Semper Opera House cellar 45 minutes before curtain-up
Sub / Packages
21
Thu
November 2024
7 pm
12 – 106 €
99+ Tickets
Starting Time: 7 pm
Venue
Semperoper Dresden
Free introductory talk
held in the Semper Opera House cellar 45 minutes before curtain-up
Sub / Packages
24
Sun
November 2024
6 pm
12 – 88 €
99+ Tickets
Starting Time: 6 pm
Venue
Semperoper Dresden
Free introductory talk
held in the Semper Opera House cellar 45 minutes before curtain-up
04
Wed
December 2024
7 pm
12 – 106 €
99+ Tickets
Starting Time: 7 pm
Venue
Semperoper Dresden
Free introductory talk
held in the Semper Opera House cellar 45 minutes before curtain-up

Related event

In brief

What does it feel like when, in an instant, your life is turned upside down? That’s what happens to Christine, the wife of court music director Robert Storch. A misdelivered letter leads her to believe that her husband is betraying her in a most shameful manner. She goes on an emotional rollercoaster ride, and the story seems to be veering towards a tragic end ...

After finishing the complex opera „Frau ohne Schatten“, Richard Strauss wished to work on a thoroughly realistic subject; he wanted the stage filled with the lives of real people. What could be easier than to dramatise an incident from his own turbulent married life, namely a piquant misunderstanding that led to a veritable marital crisis in the Strauss household. In short scenes that flash by almost cinematically, Richard Strauss draws a portrait of his wife Pauline and his own artistic life with a sure instinct for uncovering the theatrical in the mundane. The numerous symphonic interludes offer a glimpse into the emotional lives of the characters.

This musical love letter to Richard Strauss’s wife is now to be staged 100 years after the Dresden premiere by Axel Ranisch, a director active in the fields of cinema, television and theatre, who is also a passionate lover of opera.